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Zamana Lage (Tumhare Sheher)

Arijit SinghMetro In Dino
Romantic
Expert
'"> Video Thumbnail
Without Capo
With Capo 2nd Fret
Speed
[Intro]
A B F#m7 A
Dmaj7 F#m Bm7 C#m7
 
(C#m7)  Tumhare shehar ka (A)  mausam
Bada (F#m) suhana (Bm7) lage
(Amaj7) Main ek shaam chura loon
Agar (Dmaj7) bura na lage
(Bm7) Tumhare bas mein (F#m7) agar
(F# ) Ho toh (Bm7) bhool (E)jaao ha(A)mein
           
(A) Tumhein bhoo (Bm7) lane mein shayad
        C#7   F#m
Mujhe zamana lage
   Amaj7  F#m7
zamana lage
  Dmaj7   Bm7
zamana lage
          Dmaj7
Tumhein bhoolane mein
E        A      C#7
Mujhe zamana lage
A        F#m
zamana lage
   Dmaj7  Bm7
zamana lage
          Dmaj7
Tumhein bhoolane mein
E       Bm7     C#
Mujhe zamana lage
 
[Instrumental]
Amaj7 Bm7 F#m C#
A Bm7 F#m
 
[Verse]
 
Amaj7
Mana meri hi khata hai
F#m7
Iss dafa
    A
Kal Hum pe jo fida tha
    F#m
Woh khafa
          Amaj7
Yun hi na be rukhi
           F#m
Rag yun hi na dukhi
    Bm7
Dard seene me uth raha
  Dmaj7 C#m
Bar Haa
     F#m           Dmaj7
Tu iss tarah se mere saath
   E    A
Bewafai Kar
     F#m            Dmaj7
Tu iss tarah se mere saath
    E    A
Bewafai Kar
      Bm
Ke tere baad
        C#m
Mujhe koi bewafaa naa lage
 
[Outro]
A       F#m
zamana lage
   Dmaj7  Bm7
zamana lage
           D
Tumhein bhoolane mein
E        A      C#
Mujhe zamana lage
A       F#m
zamana lage
    D    Bm7
zamana lage
           D
Tumhein bhoolane mein
E           Bm      C#m  F#m
Mujhe zamana lage
 

This song is built on emotional patience. The chords don’t rush they stretch time, making everything feel like it’s unfolding slowly, almost reluctantly.

The progression leans on major chords with soft extensions (like maj7 or suspended feels), which removes harshness and adds a sense of openness. Instead of sounding heavy, the sadness here feels gentle and accepting.

There’s a noticeable back-and-forth between stability and slight uncertainty. Chords resolve, but not strongly—they just settle. That’s why the line “zamana lage” feels believable; the harmony itself takes its time to land.

What stands out is the space between chord changes. Nothing is crowded. Each chord is allowed to breathe, which gives the vocals room to carry emotion without competition.

This isn’t heartbreak, it’s longing with maturity. The chords don’t cry; they quietly wait.

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